At Locarno’s Patron’s, Ecuador-based patron Daniela Fuentes Moncada of Epopeya will debut the contemplative queer point “usta,” one of three indigenous films on her production slate. Lab, an Open Doors action spotlighting Latin America and Caribbean gift.
Epopeya brigades Moncada with author María de los Ángeles Palacio.
Emphasizing the design’s assiduity pulling power, co-producing the design are Director Papu Corotto at Argentina’s HAIN Cine( “ Esteros ”) alongside Lady Vinces( “ Checoslovaquia ”) and Silvia Arellano( “ En Medio Del Laberinto ”) of Peru ’ sCasa Aguaflorida.
The brace brings poignant narratives to life, with Moncada preliminarily backing “ La Mala Noche ” directed by Gabriela Calvache, a raw portrayal of mortal trafficking that premiered at SXSW and was named by carnivals worldwide, entering 15 awards and nominations. Epopeya produces vitality, talkie, and fabrication with a focus on forward-allowing narratives.
We make movies that highlight diversity and provide an opportunity to explore new angles because we feel that we have a powerful ability to change the world one bystander at a time. According to an editorial by Moncada, “Our followership is the backbone that enables art to stir their lives and reflect on the purpose of community.
Written and directed by Ecuador’s Christian Rojas( “ Chicago ”), Ñusta ” delves into the complications of coming out to a lower than sociable community.
The film follows Kallpa, a 12- time-old indigenous boy from the Ecuadorian mounds, as he sluggishly realizes his appetite to transition. In tandem with community downtime solstice fests of Inti Raymi, Kallpa must navigate those solicitations around putatively closed and poisoned minds and abuse to recognize tone- verification and inner peace.
Rojas, who pioneered Oso Rojo films to focus on LGBTQ film systems and gender rights, said that Kallpa’s desire to approach a woman “reflects my experience and desire to fete and show my homosexuality and the necessary and valorous diurnal consummation that there’s nothing wrong with being who you are.”
He continued “Usta investigates Kallpa’s gender transformation, focusing on indigenous roots but also drawing on instinct, the body, and sexual assault.”s. ”
In 2021, the film won the Punto Género section at Ventana Sur’s Latin American assiduity request in Buenos Aires after picking up the requested award at the-production meetings of Chile’s Bio Bio Lab event.
The top cast includes Ecuador’s Camilo Burneo as promoter Kallpa/ Ñusta in his first point trouble after appearing in Rojas ’ short film “ Phuyu. Pamela Mendoza, an activist and theatre performer from Peru, will play Toa, while Romel Vargas, who later acted in Pablo Bustamante’s Bolivian short film “Übermensch,” has been cast as the character. been cast as Nebraska. Amiel Cayo (aka “Samichay”), a dramatist, plastic artist, and actor from Peru, will also star.
“ Ñusta ” is a veritably intimate film, born from the need to make visible the reality that certain nonages live in our country, Latin America, and the world, ” Moncada stated.
“The real soldiers are those that fight every day, every defeat will be a palm in the afterlife,” continued Rojas. Being an asta in an indigenous worldview entails that.